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WyldeBrydes




Wylder's Hair Tutorial

What you will need for this tutorial:

Poser 4.0 or greater
Paint Shop Pro 8 (or another imaging program, such as Photo Shop)
A computer *g*
A pointing device (tablet and stylus is preferred, but a mouse should do in a pinch)
Creative ideas

This tutorial assumes a basic knowledge of Poser and Paint Shop Pro 8, and comfort with working in layers and in using various tools in PSP8.

PLEASE NOTE:
This tutorial includes images portraying a nude female form. This is only for illustration purposes. If viewing such images offends you, please do not continue with this tutorial. Thank you.

While this tutorial is written for use in PSP8, you should be able to translate the steps for whatever imaging software you use if you use something other than PSP8. Let's get started...


To begin, when I want to do a bunch of postwork, I make two renders: one with all the props, backgrounds and such, and one with *just the figure* on a plain colored background. Both should have identical lighting, camera angle, size and everything; on the one with just the figure, you can simply turn off visibility on all props, backgrounds and such. Another thing is to render the solo figure with a color other than white, gray or black. It can be a pale shade of blue or purple, or whatever color your final image background will have. I'll explain this in a minute. Make the renders *big,* like 2500 x 2500 or so. Save both renders in your favorite format (I hear that .tiff is best). (see Figure 1 and Figure 2)

Figure 1
Figure 1 - Original Image

Figure 2
Figure 2 - Just the figure on a plain background


Open PS and load both renders. I copy/paste the render of the figure by itself as a separate layer, select the plain colored background (Figure 3), expand the selection by about 3 or 4 pixels, invert the selection, feather the selection by about 4 or 5 pixels, then promote the selection to a new layer (Figure 4). The feathering will soften the edges of the figure, and the pale color should disappear into the image background. If it's too obvious, go back and re-render the solo figure with a different color background and try again. (White, gray or black backgrounds tend to select lit or shadowed areas of the figure, along with the background.) Turn off visibility on the "figure only" layer (the one that has the plain background) or delete it altogether, then add a layer beneath the new figure only layer (the one without the background). This will be the "back hair" layer. Now, add a layer *above* the new figure only layer. This will be the "front hair" layer (Figure 5).

Figure 3
Figure 3 - Select the background color

Figure 4
Figure 4 - Promote the selection to a new layer

Figure 5
Figure 5 - Add two new layers for the hair


With me so far? If so, great. If not, ask for clarification....

OK, now comes the fun part. On the "front hair" layer, take any old airbrush (a single 20 pixel brush with soft edges should work, but if your image is *really big* you might want a bigger brush to fill in the area faster) and pick any color (doesn't have to be real hair color), then brush in the basic shape of the hair. Don't get too detailed at this point, just the basic shape you want in front of the figure (bangs, front sides, pieces over the shoulders, etc.) (Figure 6). Now, select a darker color. I use black or dark gray, depending on the original color I used. You could use a brighter shade, if you prefer. Using a smaller airbrush, brush a few strokes around just to show movement and shape of the hair(Figure 7). Again, don't get too detailed yet. Plenty of time for that later....

Figure 6
Figure 6 - Paint in basic shape of front hair

Figure 7
Figure 7 - Brush in some shadows (or highlights, if you prefer)


Now, repeat the above steps with the "back hair" layer, only this is what flows *behind* the figure. I try to be a little more free with the back, since mistakes are easily covered with the front hair layer. In fact, you may want to do the back layer first. (Figures 8 and 9)

Figure 8
Figure 8 - Paint in basic shape of back hair

Figure 9
Figure 9 - Brush in some shadows (or highlights, if you prefer) for the back hair layer


So, now you should have at least 4 layers: front hair, figure only, back hair, and your full image, props and all.

OK, still with me? Cool...

Now, this is where you get to party! On the front hair layer, select a smudge tool. You'll want a proportionally wide one at first. I started with about 20 pixels, step=1, density=100, hardness=1 (you want a really soft smudge brush for this), everything else is 100 (sorry, I have no idea how this equates in PS or other software). Now, gently start from near the bottom (the upper strokes will cover and distort the lower strokes) and stroke down and in whatever direction you want. Don't go too far, as the strokes eventually become semi-transparent as you make longer strokes. I do lots of wavy shapes to get movement in the hair. You will smudge the base color and darker color together, but as long as you use single strokes, it should work out so it looks like striped lines. Stroke out one layer, then the other. Don't be afraid to play with it; real hair is rarely all going in the same direction all at once. I live in North Yorkshire, England, and the wind is almost constantly blowing here, so lots of wild, windy hair for inspiration!

Figure 10
Figure 10 - Begin stroking out the back hair layer with the smudge brush

Figure 11
Figure 11 - Continue stroking out the back hair layer with the smudge brush, using wavy lines to indicate movement

Figure 12
Figure 12 - Turn on visibility on the front hair layer, and stroke it out as you did the back layer. Here I added a white background layer so I could see better what I was doing.

After you stroke out the larger bits, change to a smaller brush, about 10 pixels, and work it out some more. It took me literally hundreds of brush and smudge strokes (and about 3 hours) to get my final version, so be patient. Lots of little, curving or straight strokes. If you make a mistake, or just don't like something, erase the layer and start over, or undo until you get back to something you like and try something else. There's so much trial and error in this process. I actually had to start over with this one, as I didn't like the shape or texture I was getting on my first try.

Figure 13
Figure 13 - Here I added a drape around her body, but that's for a different tutorial. I also decided that I preferred the white background to the one I had chosen, so I left it in. The original size for this image was 2500 x 2500 pixels. It still needs to be cropped.


Finally, when you get what you like, stop! (That the hardest part!) Save it (both as a layered image, and as a flat image). Merge, crop, sign, post.... If you want, you can keep going and see if you like it, then either revert back to your saved version, or save a new one. Repeat as much as you like!

Figure 14
Figure 14 - Here is the merged, cropped and resized image, waiting to be signed and posted.


Well, I hope this is helpful! Don't hesitate to ask if something isn't clear. *hugs* Wylder
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